Introduction 250-300 words
Essential information about content
-Definitions of heritage/ definitions of ‘unsophisticated art’
-Definitions of heritage/ definitions of ‘unsophisticated art’
Outline topic investigating
-Importance of heritage in art/ culture knowledge and education
-Importance of heritage in art/ culture knowledge and education
Why is this area of study important?
-Importance of celebrating unsophisticated arts and traditional art practices to uphold national heritage and socio-cultural awareness
-Importance of celebrating unsophisticated arts and traditional art practices to uphold national heritage and socio-cultural awareness
Overarching research question
-Intent for essay to promote the value and legacy of heritage and tradition in the contemporary cultural landscape
-Intent for essay to promote the value and legacy of heritage and tradition in the contemporary cultural landscape
Context and Themes 850 words
Background research
-Industry and revolution of practical visual media
-Inclusivity of museum collections
-Barbara Jones’ ‘unsophisticated arts’
-Industry and revolution of practical visual media
-Inclusivity of museum collections
-Barbara Jones’ ‘unsophisticated arts’
Independent critical understanding of contexts relevant to topic
-Fragmented cultural awareness encouraged by exclusive collections
-Taste and aura/ class and status
-Fragmented cultural awareness encouraged by exclusive collections
-Taste and aura/ class and status
Opinions and texts to construct your argument
-Social relationships with art/ People’s art
-Heritage as national identity
-Noel carrington’s value of the local and utilitarian craftsman
Theoretical sources
-Social relationships with art/ People’s art
-Heritage as national identity
-Noel carrington’s value of the local and utilitarian craftsman
Theoretical sources
-Rodney Harrison; Heritage
-John Berger; Viewing cultures
-Priscilla Boniface; Heritage and tourism
-John Berger; Viewing cultures
-Priscilla Boniface; Heritage and tourism
Contextual information
-Function of heritage within and without public realm
-Function of heritage within and without public realm
Triangulation
-Heritage as pivotal to socio-cultural awareness and national identity
-Heritage is therefore worthy of a place in cultural arenas; museums
-Museum collections should be representative of the heritage and community that surrounds and informs them
-The unsophisticated arts were produced for utilitarian functions, not aesthetic purposes
-Should these practices not be appreciated in their native contexts
-Heritage as pivotal to socio-cultural awareness and national identity
-Heritage is therefore worthy of a place in cultural arenas; museums
-Museum collections should be representative of the heritage and community that surrounds and informs them
-The unsophisticated arts were produced for utilitarian functions, not aesthetic purposes
-Should these practices not be appreciated in their native contexts
Case studies of practice 850 words
Apply research to examples of art practice/ object/ phenomena
-Barge painting/ fairground decoration
-Contemporary illustrated objects/ publications
-Tom Frost/ Alice Patullo/ Emily Sutton
-Barge painting/ fairground decoration
-Contemporary illustrated objects/ publications
-Tom Frost/ Alice Patullo/ Emily Sutton
How can individual works be exemplary of wider cultural tendencies?
-Environmental contexts promote organic observations; native context speaks truth about wider landscape in which that practice sits
-Environmental contexts promote organic observations; native context speaks truth about wider landscape in which that practice sits
Visual analysis
-Unapologetic character
-Pride
-Celebration
-Tradition
-Unapologetic character
-Pride
-Celebration
-Tradition
Explain relevance of works cited
-Contemporary channels of heritage and tradition
-Traditional media
-Promotion of nostalgia in audience
-Contemporary channels of heritage and tradition
-Traditional media
-Promotion of nostalgia in audience
Application of theoretical research and context to back up interpretations
-Place of tradition and nostalgia based illustration practices in gallery and museum spaces
-Transience of heritage from outsider to insider through contemporary appropriation
-Place of tradition and nostalgia based illustration practices in gallery and museum spaces
-Transience of heritage from outsider to insider through contemporary appropriation
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